Namuhla, imikhiqizo yemboni yezamasiko ijwayele ukukhiqizana futhi ihlalisane endaweni ebanzi futhi ehlukahlukene ikakhulukazi. Akumangazi, nquma imisinga yobuciko bashada ngokuphelele ngezitayela namasu ahlobene nemikhakha ehlukene kakhulu, okunomthelela omkhulu empilweni yansuku zonke yabantu, ikakhulukazi ngothando. Ngaphandle kwalokhu, amagatsha obuciko afana ne-cinema avame ukuhlangana nabanye. Inyunyana phakathi cinema nomculo kuyisibonelo esicacile salokhu namandla akamuva kanye nomthelela wawo efilimini, kanye nombono umphakathi onawo ngayo, akufanele kuthathwe kancane.
Kodwa-ke, i-cinema ayigcinanga ngokushayisana nomculo eminyakeni edlule, iba yinto ebaluleke kakhulu futhi ekudaleni izitayela zemfashini zangempela. Namuhla, ubudlelwane phakathi kwe-cinema nemfashini buphila kakhulu kunanini ngaphambili, futhi hhayi nje ngenxa yethonya le mikhakha emibili enalo komunye nomunye. Akuyona imfihlakalo, empeleni, ukuthi abantu abaningi (iningi labo abathanda i-cinema) bathanda ukuthatha ingqikithi yefilimu noma uchungechunge lwe-TV nge-sweatshirt noma i-t-shirt futhi, ngenxa yalokho. izingubo kungenziwa egcizelele ngisho naku-inthanethi, bavame futhi ngokuzithandela ukukhetha ukubhala, isithombe noma umdwebo ukuze uphrinte.
Ngaphandle kwalokhu, phakathi neminyaka ukungqubuzana okumangalisayo kwe-synergistic phakathi kwe-cinema nemfashini kube nomthelela omkhulu emcabangweni ohlangene, okwenza izithonjana zezingubo kanye nokwethulwa kwesithombe abalingiswa abayisakhiwo sodumo, kanye nezinkanyezi ze-Seventh Art ezazimele esikrinini esikhulu. Lokho phakathi cinema nemfashini, ngamafuphi, uthando lwe-visceral lwangempela, olukwazi ukuhlangana ngendlela aminyene futhi aqhubekayo.
Le mihlaba emibili eyinkimbinkimbi futhi ethakazelisayo iye yathinta izikhathi eziningana. I-Cinema, ngakolunye uhlangothi, yenze kwaba nokwenzeka ukwethulwa nokunikezela ongafi le inkanyezi kanye nezitayela zabo, kuyilapho imfashini ihlale inika amafilimu ebihileleke kuwo - ngendlela engaqondile noma engaphansi - konke ekunikezayo, ngenhloso eyodwa kuphela bamangaze izethameli.
Indaba yothando phakathi kwe-cinema nemfashini
Nakanjani, cinema nemfashini bamele izimboni ezimbili ezikwazi ukukhiqiza izimanga kanye nezigigaba zesintu. Ama-universe amabili angenakufana futhi, ngempela, ahlangana izikhathi eziningana. Kusukela ekuqaleni kwayo, ekuqaleni kwekhulu lamashumi amabili, i- Ubuciko Besikhombisa uye wabonisa ukuthi uyayazi indlela yokusebenzisa kakhulu umthamo wokulandisa onikezwa izingubo. Emashumini eminyaka edlule, i-cinema inqume imithetho yangempela yesitayela, ngaphezu kwakho konke ngenxa yomnikelo wabaklami bezingubo ezinokunambitheka okuhle kakhulu futhi amabhrendi asebenzisanayo izinga eliphakeme.
Ngakho-ke, ngaphezu kwalokhu, kufanele kugcizelelwe ukuthi ama-stylists amaningi abe nesandla ekwakhiweni kwezibalo ezibaluleke kakhulu emlandweni wesinema, ngokubambisana eduze. abalingisi nabaqondisi woza abaxhumanisi bezithombe, nabakamuva abasebenzisa ngokugcwele ulwazi abalutholile, njengoba nje nemfashini yenza okufanayo ngokuletha izinkanyezi ezinkulu zesikrini esikhulu ama-catwalks ahlonishwa kakhulu.
Izibonelo ezinhle kakhulu zokuhlangana kwe-cinema nemfashini
Uma kuziwa ku-cinema nemfashini, akunzima ukunikeza izibonelo eziphumelelayo zokuqonda amandla okuxhumana phakathi kwalezi zilinganiso ezimbili. Kusukela ezingutsheni ezicolisisiwe zika-Audrey Hepburn kuya ukubukeka kwe-jaunty kumajini kanye nesikibha sikaJames Dean, kuze kufike ku URay-Ban kaTom Cruise ku-Top Gun kanye namasudi e-Armani akhethelwe u-Richard Gere kuhlelo lwe-American Gigolò. Uhlu lude kakhulu kunalokho, nokho, ludlulela kumafilimu anikezelwe ngokunembile emhlabeni Wemfashini Ephakeme njengeThe Devil Wears Prada kanye Indlu yaseGucci.
